• I.O.U.S.A. - I.O.U.S.A. boldly examines the rapidly growing national debt and its consequences for the United States and its citizens. Burdened with an ever-expanding government and military, increased international competition, overextended entitlement programs, and debts to foreign countries that are becoming impossible to honor, America must mend its spendthrift ways or face an economic disaster of epic proportions. Throughout history, the American government has found it nearly impossible to spend only what has been raised through taxes. Wielding candid interviews with both average American taxpayers and government officials, Sundance veteran Patrick Creadon (Wordplay) helps demystify the nation’s financial practices and policies. The film follows former U.S. Comptroller General David Walker as he crisscrosses the country explaining America’s unsustainable fiscal policies to its citizens. With surgical precision, Creadon interweaves archival footage and economic data to paint a vivid and alarming profile of America’s current economic situation. The ultimate power of I.O.U.S.A. is that the film moves beyond doomsday rhetoric to proffer potential financial scenarios and propose solutions about how we can recreate a fiscally sound nation for future generations. Creadon uses candid interviews and his featured subjects include Warren Buffett, Alan Greenspan, Paul O’Neill, Robert Rubin, and Paul Volcker, along with the Peter G. Peterson Foundation’s own David Walker and Bob Bixby of the Concord Coalition, a Foundation grantee. Pointedly topical and consummately nonpartisan, I.O.U.S.A. drives home the message that the only time for America’s financial future is now.


  • Cthulhu - Adapted from a story by H.P. Lovecraft. A Seattle history professor, drawn back to his estranged family on the Oregon coast to execute his late mother’s estate, is reacquainted with his best friend from childhood, with whom he has a long-awaited tryst. Caught in an accelerating series of events, he discovers aspects of his father’s New Age cult which take on a dangerous and apocalyptic significance.


  • ack Brooks- Monster Slayer - After witnessing the brutal murder of his family, Jack Brooks (Trevor Matthews) is left with an unquenchable fury that he is constantly fighting to control. Now working as a local plumber and struggling in a relationship with his girlfriend Eve (Rachel Skarsten), Jack’s life has become a downward spiral. One night, Jack attempts to fix Professor Crowley’s (Robert Englund) old, rusted pipes, but unknowingly awakens an ancient evil. Lured by this demonic power, Professor Crowley discovers a monstrous black heart that quickly forces its way inside of him. Possessed by the heart now beating in his chest, the Professor starts a slow, gruesome transformation. It is at this moment that Jack realizes he can’t run from his past, and quickly discovers the true purpose of his inner rage.

whomod said: I generally don't like it when people decide to play by the rules against people who don't play by the rules.
It tends to put you immediately at a disadvantage and IMO is a sign of true weakness.
This is true both in politics and on the internet."

Our Friendly Neighborhood Ray-man said: "no, the doctor's right. besides, he has seniority."