I thought the nine-panel pages were dull and less successful than other Alan Moore collaborations.
Either way (whether KILLING JOKE was identical in its panel arrangement to WATCHMEN, or it just happened that way) it was an Alan Moore show all the way in both cases, and the artist was completely subordinate (and arguably unnecessary and replaceable) in following the directions of an elaborate Alan Moore script.
Oddly, I'm hard pressed to think (beyond MIRACLEMAN and SWAMP THING) of an Alan Moore script where the artist wowed me with what he added to an Alan Moore script.
Maybe "Pictopia" by Moore and Don Simpson, in
ANYTHING GOES 2 (1986)
