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Joined: May 2003
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Officially "too old for this shit"
15000+ posts
Officially "too old for this shit"
15000+ posts
Joined: May 2003
Posts: 43,958
Likes: 6
New York Times:

  • NBC has made an ambitious deal, apparently the first of its kind, to buy a two-hour — or perhaps even three-hour — block of prime-time programming from outside producers, including Thom Beers, the creator of adventure documentary series like “Deadliest Catch” and “Ice Road Truckers.”

    Under the plan, NBC has agreed to broadcast at least two new hours produced by Mr. Beers back to back on a single night, with many more hours possible. The terms guarantee Mr. Beers and his partners 30 hours of programs on NBC — three separate 10-episode series.

    These 30 hours would come at a fraction of the cost of standard network scripted or reality programming, a factor that made the deal attractive to NBC.

    The project is not related to the current strike by Hollywood writers but the background forces are somewhat similar as networks struggle to revise their financial formulas to face a future of diminishing ratings and growing uncertainties about how the Internet will figure in viewers’ choices. The programs, which are all documentary in style, would not have staff writers.

    The principals in the arrangement are prominent television names, Gail Berman and Lloyd Braun, both former top network programmers, who created a production company that has what is known as a “first look” deal that gives NBC the first crack at buying their productions. Ms. Berman and Mr. Braun contracted with Mr. Beers to create the shows and then went to NBC to pitch the idea of filling an entire night — or at least two-thirds of it — with real-life action.

    The chief economic benefit of programs from Mr. Beers is that they are strikingly cheap to produce by network standards. Shows like “Ice Road Truckers” cost about well under $500,000 an hour, a modest figure next to a typical cost of about $3 million for an hourlong scripted network series. Conventional network reality shows are also much more expensive at $1.5 million to $2 million an hour. The producers will will split ownership with NBC, giving the network control of domestic rights and the producers the international rights.

    The shows Mr. Beers and his partners are planning for NBC would not be ready to serve as fill-ins during the strike because they are unlikely to be seen until the third quarter of 2008. Mr. Beers uses real people in real situations in extreme locations like the Arctic. Shows set there have to be shot in warmer months, for example.

Joined: Jun 2006
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Hold on hold on tight!
few posts
Hold on hold on tight!
few posts
Joined: Jun 2006
Posts: 10
Don't close your eye-eyes!

Joined: Jun 2002
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Timelord. Drunkard.
15000+ posts
Timelord. Drunkard.
15000+ posts
Joined: Jun 2002
Posts: 24,593
Likes: 1
http://entertainment.tv.yahoo.com/entnews/va/20071211/119739462800.html
 Quote:
Fourth-ranked broadcaster NBC has quietly begun reimbursing advertisers an average of $500,000 each for failing to reach guaranteed ratings levels, the first time a network has taken such a step in years, media buyers said.

Networks usually offer make-goods -- free advertising slots -- in the event of such shortfalls. But NBC has none to give. In fact, no broadcast network has much ad inventory left between now and year's end -- except for, perhaps, a handful of units the week between Christmas and New Year's, and that doesn't do much for advertisers chasing holiday shoppers.

CBS, ABC and Fox also are doling out make-goods, primarily for the first quarter. They have blamed softness on a new ratings formula, but media agencies disagree. None of the networks would comment.

The networks' problems emerged even before the Writers Guild of America went on strike November 5. The networks had enough first-run shows to get them through November, and repeats and replacement programming will not begin in earnest until January -- when their problems will likely start to worsen.

Among the Big Four networks, NBC has the most serious ad shortfall, as its primetime ratings are down most dramatically. Meanwhile, none of its new series this season have caught on with viewers. Compounding buyers' angst about NBC is the network's plan to schedule more reality shows, including "Celebrity Apprentice" and "American Gladiators."

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"We're trying to understand NBC's recent moves," Starcom Entertainment exec vp Laura Caraccioli-Davis said. "We are concerned that it might be thinking about adopting a programming strategy like some of its sister cable networks. 'American Gladiators' and even some of the shows they have in development, like 'Knight Rider,' are remakes being dusted off rather than coming up with new creations.

"NBC used to be the upscale, quality network," she added. "We have come to expect quality, iconic programming. Maybe they are searching for the reality hit they don't have, their own 'American Idol.' But too much reality just doesn't play well with advertisers."

NBC program planning president Vince Manze countered that the network will air more scripted shows in the first quarter than it did a year earlier, so the perception that NBC is moving more heavily into reality is wrong.

"We will have about 85 hours of original, scripted, first-run programming in the first quarter," Manze said, citing the return of dramas "Law & Order," "Law & Order: Criminal Intent" (which previously aired on NBC's sister cable net USA Network) and "Medium."

In February, NBC will premiere midseason drama "Lipstick Jungle." It also has first-run episodes of "Law & Order: SVU," "ER," "Chuck," "Friday Night Lights," "Las Vegas," "Scrubs" and "My Name Is Earl" yet to air.

Magna Global audience analysis exec vp Steve Sternberg said he saw no problem with NBC airing a reality block on a low-rated night like Saturday or even during the week if the production values were high or if it replaced other reality programming. However, "if it replaces midweek scripted hours, it could have a negative impact" on ratings and audience quality, he said.

Reality programs featuring high production values, including Fox's "American Idol," CBS' "Survivor" and "Amazing Race" and ABC's "Dancing With the Stars" and "Extreme Makeover: Home Edition," draw sizable audiences each week.

Still, one network executive charged that audiences for those shows are "borrowed" viewers. "A majority of those viewers come in for that show and then leave," the executive said.

Added MediaVest senior vp group director Ed Gentner: "No one (advertiser or agency) wants to see too much reality programming on TV. But broadcast television has changed, and reality is part of today's landscape."


whomod said: I generally don't like it when people decide to play by the rules against people who don't play by the rules.
It tends to put you immediately at a disadvantage and IMO is a sign of true weakness.
This is true both in politics and on the internet."

Our Friendly Neighborhood Ray-man said: "no, the doctor's right. besides, he has seniority."
Joined: May 2003
Posts: 43,958
Likes: 6
Officially "too old for this shit"
15000+ posts
Officially "too old for this shit"
15000+ posts
Joined: May 2003
Posts: 43,958
Likes: 6
I'm not sure that any "Law and Order" series should count as "original" programming by this point.

Joined: Jun 2008
Posts: 608
500+ posts
500+ posts
Joined: Jun 2008
Posts: 608


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