Yeah, I liked both his films immensely.
I was particularly impressed with 2016's presentation. Despite using a very conservative visual approach, both the imagery and narrative were particularly effective.
America was great too, but stylistically it came across as more of a rebuttal than an analysis. That doesn't hurt it by any measure, but it makes it slightly less compelling to watch than 2016.
As far as I know, D'Souza is still having the screws put to him, Soviet-style, by a Clinton appointed judge who's forcing him to see a psychiatrist--of all things--for campaign finance violations. That is a clear-cut communist methodology of dealing with political enemies: "You sinned against the state? Why, that must make you insane! Being benevolent, we'll keep you safe in our asylums where you can't hurt yourself."
