.

On the aforementioned Hulk magazine issues, for those not in the know, it began as a black and white magazine in issues 1-9,
as RAMPAGING HULK
https://viewcomiconline.com/rampaging-hulk-v1-1/

Then the series went to full color offset printing on a nicer paper stock in 10-27. re-titled as just
HULK!, and returned to black and white in its last two issues :
https://viewcomiconline.com/hulk-1978-issue-13/

I liked the early-Marvel time-setting portrayed in RAMPAGING HULK 1-9 ( set in circa 1963), mostly with Simonson/Alcala art.

Then the shift to more human interest stories over superhero type stories, when the magazine went color in issues 10-25 (in that way conforming with the Bill Bixby TV series at the time). And I liked the range of art collaborations across the entire run of the magazine, that included Simonson/Alcala, Starlin/Nino, Wilson/Alcala, work by Rudy Nebres, Fran Matera, Wilson/Villamonte, Buscema/Alcala, Mcleod, Zeck, Chaykin, Sienkiewicz, and Colan/Alcala and Colan/Simons in the final issues.
Some collaborations very impressive, others less so, but all still worth seeing, and valiant efforts.
I saw the book wasn't selling (hence the return in the final issues to black and white, to minimize the financial loss), but I still very much enjoyed it while it was coming out, and regretted that it was cancelled.

I particularly mention it for the range of Phillipine artists presented in various collaborations, of which Chan's contributions was a part (Wilson/Chan art in issue 12 ) and even more so to see Chan's collaboration in contrast with that of other Phillipine artists (and American artists) presented in the magazine.