They were fun, Beardguy. Very Silver Age-ish.
They read like plot synopses, though. You should do a complete story and draw it.
The oddest creative process I've heard of is Dave Sim's. He used to describe (at least in the pre-Gerhard-inks days) that he would plot, pencil, ink and letter page 1, then plot, pencil, ink and letter page 2, and so on till page 20. That would drive me nuts, starting without knowing what would happen at the end. But I guess that's how Sim kept the creative process exciting for himself.
Another odd procedure was by artist Pat Broderick, who I met in 1981. He draws the pages on letter-size paper, then enarges them on a light projector and traces the layouts over to a larger 11" X 14" page, to do the finished art.
I always did my stories full-script. That's the only way I'm comfortable doing it.
