.
Continuing on the work Adams did for Pacific Comics, beyond SKATEMAN, And ECHO OF FUTUREPAST, Adams also did a few issues that got a lot of attention at the time in 1981-1982.
It was big news that Adams was coming back and doing work again in comics for Pacific, on the character MS MYSTIC.
The first appearance was a "Ms. Mystic" 4-page preview by Neal Adams, as a back-up story in
CAPTAIN VICTORY 3, cover-dated March 1982.
https://viewcomiconline.com/captain-victory-and-the-galactic-rangers-1981-issue-3/And then a seeming eternity later, a full issue of MS MYSTIC 1 finally came out at the end of the year in 1982. And then after another eternity about 2 years later, in 1984, the second issue finally came out
. And before issue 3 had a prayer of being published, Pacific Comics was out of business, by August 1984.
There were a lot of jokes in fandom at the time about how sporadic and late these two issues were, and Adams' inability to meet deadlines. It was the very lack of deadlines and contracts with creators that caused Pacific comics to fold. Their books were beautiful, but consistently late, and that cost them readers and sales, because their announced publication dates were unreliable, and readers lost interest waiting.
And as was said in "The Rise and Fall of Pacific Comics" article by Jay Allen Sanford, when Neal Adams visited he Pacific warehouse, he'd disappear out back with a bunch of guys and smoke a lot of marijuana, and as Sanford said, did a lot to explain why Adams seemed unable to make deadlines.
https://www.sandiegoreader.com/news/2004/aug/19/two-men-and-their-comic-books/
Ms Mystic was running later and later; Neal Adams always promised "more soon," but a year passed and only a handful of finished pages had arrived. Adams did manage to turn in a one-shot comic in 1983 called Skateman, a tale of a roller-skating superhero that made Marvel's Dazzler seem like Proust by comparison. Several pallet-loads of unsold Skateman comics gathered dust, and no amount of salesmanship could unload them on accounts who were by now too savvy to believe that a "marquee name" on a comic cover guaranteed sales.
... "The reason Pacific Comics failed can be summed up very simply," Steve Schanes informs me. "We had two lines of activity: publishing and distribution. Most of our comic books still made money hand over fist, but there was a big problem in distribution. We extended too much credit to retailers who didn't pay us on a timely basis, and we were already working on a minuscule profit margin, maybe 5 percent to 8 percent. We didn't push hard enough to get the money from receivables, who owed us hundreds of thousands of dollars. If you had to boil down the single biggest reason we blew it, that would be our poor cash management on the distribution side."
Meanwhile, newer indie publishers, inspired by Pacific's success, competed with it for readers, as did resurgent underground publishers Kitchen Sink, Last Gasp, and Rip Off Press, whose titles were distributed through Pacific's warehouses. And surely other publishers -- Capital City (whose Nexus comic outsold several Pacific titles), Comico, Aardvark-Vanaheim, Educomics, Quality, Eagle, Eclipse, First, Vortex, New Media, Fantagraphics, Mirage -- feared that having Pacific, a rival publisher, as their distributor could result in their being cut off from comic shops.
Seeing and exploiting this, dozens of smaller distributors were springing up all over the country, even in San Diego. Nearly a quarter of Pacific's 800 or so comic-shop accounts defected to alternate distributors in 1984, skipping out on paying Pacific for upwards of three months' worth of comic books. Compounding matters, often those distributors were getting their comics through Pacific, and they too would stiff us on the bill, using their unpaid booty to lure away wholesale customers already in debt to Pacific.
MS MYSTIC (1982, first series, from Pacific)
1 Oct 1982
2 Feb 1984
The first issue of MS MYSTIC was published with standard comics paper and printing.
Wih the second issue, Pacific had begun upgrading to offset printing and better paper.
And then both issues were reprinted in a better format as the first two issues of a new MS MYSTIC series by Continuity:
MS MYSTIC (1987 second series, by Continuity)
1 (r 1, first series) Oct 1987
2 (r 2, first series) June 1988
3 Story by Neal Adams. Pencils by Brian Murray and Neal Adams. Inks by Ian Akin, Jan 1989
4 Story by Neal Adams and Peter Stone. Art by Terry Shoemaker, Ian Akin and Brian Garvey, May 1989
5 Story by Neal Adams and Peter Stone. Art by Dwayne Turner, Mark Beachum and Brian Garvey, Aug 1990
6 Story by Neal Adams and Peter Stone. Art by Dwayne Turner, Ian Akin, Stan Drake and Brian Garvey, Nov 1990
7 Story by Peter Stone. Art by Andre Coates and Ian Akin. Aug 1991
8 Story by Peter Stone. Art by S. Clarke Hawbaker and Stan Drake. Mar 1992
9 Story by Peter Stone. Art by Dan Barry and Brian Garvey, May 1992
Followed by:
MS MYSTIC (1993 3rd Series, 3 issues, May 1993-Aug 1993)
1 Story by Neal Adams and Peter Stone. Art by Dwayne Turner, Ernesto Infante and Alberto Saichan., May 1993
2 Story by Neal Adams and Peter Stone. Art by Brian Apthorp, Ernesto Infante and Alberto Saichan., June 1993
3 Story by Neal Adams and Peter Stone. Art by Louis Small Jr., Rudy Nebres and Joel Adams.Aug 1993
and
MS MYSTIC (4th series, 4 issues, Oct 1993-Jan 1994)
1 Rise of Magic. Story by Neal Adams and Peter Stone. Art by Dwayne Turner and Neal Adams. Oct 1993
2 Shaman's Woe. Story by Neal Adams and Peter Stone. Art by Luke Ross, Rudy Nebres and Nelson Luty. Nov 1993
3 Story by Neal Adams and Peter Stone. Art by Luke Ross and Crusty Bunkers (possibly Neal Adams). Dec 1993
4 Story by Neal Adams and Peter Stone. Art by Steve Carr, David Dace and Matt Brundage. Jan 1994
That all look great, but have increasingly less Neal Adams, and more Continuity Associates staffers who draw just like Neal Adams. I didn't find the story content that enthralling, but I still am knocked out by the art, and pull out my Continuity collection every few years and enjoy looking at them. Similarly with the other Adams Continuity titles. But despite the number of hands involved, they look very consistent across the entire run.
Damn these are hard to separate from each other !
The only way I could separate the last 2 series from each other and get the right order was by the cover-dates on the first page indicia in each issue.
The person who scanned the online stories reversed volumes 3 and 4 (That they counted as series 2 and 3, apparently ignoring the first series from Pacific, since they were reprinted in the 1987 series. )