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So, who is it? I'll give plenty of options so as not to sound pretentious...

Least Favorite Comic Writer
multiple choice, up to 2 choices
Votes accepted starting: 2007-03-20 11:16 PM
You must vote before you can view the results of this poll.

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Winick and Devil Grayson.


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Mine were JMS and Winick. JMS ripped off Heroes (kidding, but I hate his Marvel work).


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voted for Loeb and Miller (for that gobawful DKSA and All Star Bats).

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I voted for Loeb and Johns, because people praise them and let them completely fuck up the entire industry with their fanwank.


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Loeb and Winick

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Remember that if you vote for other you should make a reply that actually says who the other is.


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I voted for Winnick and only Winnick. He is so far ahead (?) of the others in terms of sheer craptitude, coupled with his habit of sticking in the most out of context inappropriate social lessons, that I could not, in good conscience, dilute my vote for/against him by voting for someone else.

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You forgot to add Byrne to the list. Can't stand his drivel.


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Is Bryne even writing these days? It seems that, post-Doom Patrol, he's back to only pencilling.

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Quote:

Chewy Walrus said:
Loeb and Winick




whomod said: I generally don't like it when people decide to play by the rules against people who don't play by the rules.
It tends to put you immediately at a disadvantage and IMO is a sign of true weakness.
This is true both in politics and on the internet."

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Loeb, and Joss Whedon as my "Other"...

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Byrne isn't doing anything for the big two now-he has offcially (?) retired from the two companies to the best of my knowledge. He apparently doesn't agree with their editing vision or their policies-or some such (I don't so much as disagree with him in actuality, but it seems pretentious to not just wait until a new regime takes over).


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Quote:

Pig Iran said:
He apparently doesn't agree with their editing vision




Someone needs to edit that man. You'd be hard pressed to find more redundant dialogue...


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Quote:

Pig Iran said:
Byrne isn't doing anything for the big two now-he has offcially (?) retired from the two companies to the best of my knowledge. He apparently doesn't agree with their editing vision or their policies-or some such (I don't so much as disagree with him in actuality, but it seems pretentious to not just wait until a new regime takes over).




Byrne's no longer a young man. According to Wikipedia, he's about 57. And as one of the original superstar pencillers he probably has a fair amount of cash socked away. Maybe he just wanted to retire.

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I went with JMS and Miller. Frank Miller is worse as an artist. DKSA is unviewable. JMS had a good thing going with Amazing Spider-Man, but he crapped out at the end of the Ezekiel saga.

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you seem to like his show Heroes just fine.

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Quote:

Who Is Your Least Favorite Comic Writer?




Pssst...

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It's based on his comic Rising Stars.

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Well played, Pappas.

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No other Devil Grayson votes?

That cunt ruined Nightwing, No Man's Land, Titans, and everything else her fat fingers touched.


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Quote:

MisterJLA said:
That cunt ruined Nightwing, No Man's Land, Titans, and everything else her fat fingers touched.




Including the vaginas of dozens of overweight fangirls?

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Nicely played.


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The Winnah..Judd Winick... Take a bow Judd, you stupid ass cunt.


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Not on the list:

Grant Morrison

I really despise this guy's work, both style and content. And I've read a fair percentage of his work, because Morrison fans whose fanaticism for his work borders on membership in a religious cult are always saying Ohhh, well you just haven't sampled the best of Morrison's work...

Well, over roughly 14 years I've sampled a few SECRET ORIGINS issues he did early on, KID ETERNITY 1-3, THE MYSTERY PLAY, his ANIMALMAN run, THE INVISIBLES, some FLASH issues he did, his JLA series, the JLA: EARTH 2 hardcover, SEAGUY, THE FILTH, the #0 issue that started his whole 7 SOLDIERS OF VICTORY crossover thing, and most recently his 6-issue ALL STAR SUPERMAN run (which is admittedly more reverent and nostalgic of the Silver Age era than the bulk of his work, but still ultimately disappoints. I mostly bought it for the Quitely art, and just to see if Morrison was capable of telling a story without cynicism, smug pretentiousness, and a characteristic smattering of perversion, gore and other shock elements. Less annoying than usual for him, but he still included way too many of his self-congratulatingly oh-so-clever Morrison-isms. )


Warren Ellis is another self-proclaimed genius who pisses me off to no end.
And Garth Ennis.
And Azzarello.
And Bendis.
All these guys substitute vulgarity and shock value for real talent.

They stink up the industry.


Mark Waid is the only newer writer on that list who has actually written a few stories that I've enjoyed (specifically, some IMPULSE issues, and particularly the early issues of his current LEGION run. )

But Geoff Johns is the worst of the neo-"old-school" writers. He tries to write in the old-school style, but he just doesn't have the talent to pull it off. His stories to me are what a 12-year-old would write in trying to write a "mature" superhero story. And much of the dialogue he puts in the mouths of his adult superhero characters sound like dialogue for middle school kids, rather than adults.
(And likewise Mark Waid's dialogue also, look at his KA-ZAR run from 1997)


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Quote:

Chewy Walrus said:




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Quote:

Grimm said:
Quote:

Chewy Walrus said:








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Ellis' Nextwave was one of my all time favorite comics. I was sorry to see it go.


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Quote:

Pig Iran said:
Quote:

Grimm said:
Quote:

Chewy Walrus said:











Okay... can someone translate all this ambiguous eye-rolling into a lucid argument?


And notwedge, I thought of a Warren Ellis book I actually enjoyed, a 4-issue STARJAMMERS miniseries for Marvel, back in 1996 or so, before Ellis developed his violent ultra-cynical schtick. It had nice art and colors too, by Carlos Pacheco.

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Quote:

klinton said:
Quote:

Pig Iran said:
He apparently doesn't agree with their editing vision




I love Byrne.
I love him so much that I wish he was gay, and he would fall in love with me, then man-fuck me































IN THE ASS!



Then I'd have to sue you.


What do you mean "Their origin was fine as it was"?
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Quote:

Wonder Boy said:
Quote:

Pig Iran said:
Quote:

Grimm said:
Quote:

Chewy Walrus said:











Okay... can someone translate all this ambiguous eye-rolling into a lucid argument?




I'll just ask a question: what do you consider good comics writing and has any of it been done in the last five years? Site examples without posting thumbnails. Thank you.

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Good idea, Chewy.


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Waid and Rucka....Unfortunately, I didn't see that Waid was on the list till I already voted for Rucka. So fuck.

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you could vote for 2.


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Loeb was the only person close.


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Quote:

Chewy Walrus said:
Quote:

Wonder Boy said:
Quote:

Pig Iran said:
Quote:

Grimm said:
Quote:

Chewy Walrus said:











Okay... can someone translate all this ambiguous eye-rolling into a lucid argument?




I'll just ask a question: what do you consider good comics writing and has any of it been done in the last five years? Site examples without posting thumbnails. Thank you.




I've listed very specific examples on many occasions here.

Yes, my favorites are mostly from the 70's and 80's era, and mostly done by the likes of Jack Kirby, Dennis O'Neil, Neal Adams, Marshall Rogers, Walt Simonson, Don McGregor, Craig Russell, Paul Levitz, Keith Giffen, Roger Stern, Dave Michelinie, Bob Layton, John Romita Jr, Doug Moench, Bill Mantlo, Marv Wolfman, Len Wein, Tony Isabella, Jim Starlin, Steve Englehart, Steve Gerber and so forth.

But I've also listed many that I've liked from the recent past. With the disqualifier that it seems near impossible for recent creators to produce any kind of sustained quality work. Most of what I've liked in recent years have been one-shots and limited series.

Some of my recent favorites:
    HELLBOY (but only the material by Mike Mignola, not the substandard stuff done by other writers and artists)

    SOJOURN by Ron Marz and Greg Land (unfortunately ended when Crossgen went out of business)

    LEAVE IT TO CHANCE by James Robinson and Paul Smith (also recently ended, at least for a while)

    LAST TRAIN TO DEADSVILLE, by Kelley Jones (4-issue series)

    YOUNG AVENGERS(by Allen Heinberg)

    the early issues of the current LEGION series (by Mark Waid, which I already listed)

    BATMAN/TARZAN by Ron Marz and Igor Kordey (4-issue miniseries)



All-time favorites:

    CEREBUS by Dave Sim (first five volumes, up through Jaka's Story)

    Neal Adams BATMAN and DETECTIVE runs (written by Dennis O'Neil, Frank Robbins)

    Neal Adams' DEADMAN

    Len Wein/Berni Wrightson SWAMP THING 1-10

    Jack Kirby's 70's DC work (FOREVER PEOPLE, NEW GODS, MR MIRACLE, JIMMY OLSEN, KAMANDI, THE DEMON, OMAC, JUSTICE INC)

    Goodwin/Simonson MANHUNTER

    Don McGregor/Craig Russell's AMAZING ADVENTURES/KILLRAVEN series

    Mike Grell's WARLORD, especially issues 1-14.

    Dave Michelinie/Bob Layton/John Romita Jr's run on IRON MAN 115-156

    Michelinie/Byrne AVENGERS 181-191

    Englehart/Rogers' run in DETECTIVE 471-476 (collected in the BATMAN: STRANGE APPARITIONS trade)

    Jim Starlin's 70's WARLOCK and CAPTAIN MARVEL runs

    Jim Starlin's "Metamorphosis Odyssey"(EPIC ILLUSTRATED 1-9), THE PRICE graphic novel(reprinted as DREADSTAR ANNUAL # 1), and DREADSTAR graphic novel for Marvel, and the DREADSTAR comic series, issues 1-5.

    EPIC ILLUSTRATED 1-34 by various writers and artists

    BIZARRE ADVENTURES 23-34 by various writers and artists

    The Levitz/Giffen LEGION run, and Levitz's continued run for the rest of that decade, with other artists Lightle and Larocque.

    Roger Stern's runs on AMAZING SPIDERMAN 224-250, and DR STRANGE 46-73

    Alan Moore's SWAMP THING, MIRACLEMAN, V FOR VENDETTA, WATCHMEN, and SUPERMAN: WHAT EVER HAPPENED TO THE MAN OF TOMORROW?

    Frank Miller's DAREDEVIL, RONIN, BATMAN: YEAR ONE, and DARK KNIGHT RETURNS.


Plus many others. But those are the ones I find myself most often going back and re-reading.


And one other thing, what's your problem with my posting thumnail images?
In addition to adding some color and interesting graphics to these boards, I think posting thumbnails just makes it easier, for those who want to find these issues, or nostalgically remember them.


Regarding what kind of content I find to be "good" comics storytelling, I like heroic characters who are normal people I can identify with, who have a well-developed sense of right and wrong.
The 70's and 80's work of the writers I named as my favorites embody these qualities. Particularly Dennis O'Neil, Don McGregor, Len Wein, Roger Stern and Dave Michelinie.
I like stories told with a degree of sophistication in the writing, without a lot of profanity, crudeness, pseudo-hip slang, and unsubtle portrayal of violence, and without a lot of perversion, cynicism and gore tossed in.
(Like I said, for examples of what I despise, just look at the work of Azzarello, Bendis, Ellis, Ennis, Morrison, & Millar. And pretty much everything ever published by DC's vertigo line, And by Marvel since Joe Quesada took over. )



The first issue of Joe Kubert's 1995 series ABRAHAM STONE really resonated for me.

Allen Heinberg's YOUNG AVENGERS is another series that got back to what comics are all about, with fun portrayals of people with everyday problems, who are simultaneously trying to learn how to use new powers they've been given.




It's very possible to tell a story about real-world violence and social problems, without resorting to the cheap tricks and in-your-face, over-the-top excrement that Ennis, Morrison, etc., churn out every month.
Other creators who have done the same material better:

DREADSTAR series, issues 2 and 3, by Starlin.
DAREDEVIL 191, by Frank Miller.
DR STRANGE # 70, by Roger Stern and Brett Blevins.
DAREDEVIL 236, by Nocenti and Windsor-Smith
CONAN THE ADVENTURER # 1, by Roy Thomas and Rafael Kayanan.

Endless examples. All far superior to the latest bit of "genius" vomited up by Ennis or Morrison.



Another thing I despise is these gritty first-person narratives. I recently re-read a Moench/Gulacy LEGENDS OF THE DARK KNIGHT storyline where it jumped back and forth between first-person narratives by Bruce Wayne/Batman, Hugo Strange, Commisioner Gordon, and perhaps one or two others. It's sloppy, incoherent, and infuriating. I can't believe these hack writers get paid to churn this excrement out. Or that people buy this junk and praise it as good.



One more I despise is the Frank-Miller-esque style of using choppy one-word sentences, and broken dialogue of multiple characters talking simultaneously and over each other. This was halfway interesting once or twice when Miller introduced it, but it's been done to death.



Most of the characters I read these days, in the select few new series I sample, are just so unlikeable. They talk in a smug, self-congratulatingly pretentious way in dialogue I can't possibly like or identify with (for examples, see any Grant Morrison series) .
Many of them are belligerent and downright criminal in their speech and demeanor. ( X-men runs by Michael Allred and Grant Morrison come to mind. And THE AUTHORITY. And PREACHER. And TRANSMETROPOLITAN. )
I not only can't identify with these characters, but find them so unlikeable I'd like to bludgeon them to death with a lead pipe.
Or their creators.
I despise them that much.

I deeply resent what these assholes have done to the characters I grew up with, and to the medium I used to love.
And that I still do love, in what exists from prior to about 1990, and very select material after.

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I voted for Johns. Primarily because he's out to appeal to readers like Dave, who favour old-style plots and dialogues, and yet dangles that bait so badly. JLA/JSA: Virtue and Vice would have to be some of the worst writing I've come across in the past 10 years. Recently, scarily, I went off and got some of those old JLA/JSA team-up collected editions, with stories by Cary Bates. And suddenly I could see where Johns comes from. It was hard to imagine that Bates was the same guy who did the fantastically gripping Captain Atom. Bates was so self-indulgent in one JLA/JSA issue he cast himself as a super-powered villain. That's the sort of thing I see in Johns' writing - Superman and Sentinel dribbling over each other about their heroic legacy. Ugh.

Compare this to Millar, who people love to knock becuse of his "shock writing". Millar writes Jack Hawksmoor telling Bill Clinton to watch his step after intervening to stop atrocities in East Timor: writes "Wanted", surely the best villain book ever, as if the Secret Society of Supervillains have taken over the world and none of us know it: writes "Chosen", straight from the Book of Apocalypse and one of the best and most surprising stories I've ever read.

Millar's done some average writing, like for The Ultimates, but even his worst writing is more creatively sophisticated and simply better polished than the best of Johns' work.


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As far as what I consider good writing, it boils down (at least to in continuity stories) to an interesting story with characters that act in character (or at least how I perceive them to be in character).

For example: In the "favorite story of the last five years thread", I cited Englehart and Rogers' "Dark Detective" arc.

It was an interesting story because it dealt with the return of a major character from the past in an intriguing way, as well as showing some interesting 'superhero' situations for Batman and other characters to deal with. I also thought that Batman acted in character, insofar as he acted like the guy that people like O'Neill, Dini, and other superior Bat writers depict as Batman.

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