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Originally Posted by Wonder Boy
[Linked Image from thedrunkenodyssey.files.wordpress.com]

A nice Byrne page, from sometime during his FF run.

If I've seen this one before, I'd forgotten it.
Possibly a poster Marvel released back then.


I finally found where this originated from. It was the double-page centerfold (in black and white) of FANTASTIC FOUR CHRONICLES, the second issue of Fantaco's CHRONICLES series in 1982.

https://www.mycomicshop.com/search?TID=304161

In a time before the internet, these issues were a really useful resource, with a lot of great history of each series, interviews of writers and artists, complete checklists of credits for every issue and series the characters appeared in, and a lot of great pro and fan pin-up pages and covers.

Sometime in the mid-1980's Marvel also released a color poster version of Byrne's centerfold. Marvel's leadership became jerks to Byrne in late 1985, from the moment he announced he was leaving Marvel to do Superman, so the poster must have come out sometime previous to that, in 1983-1985.

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"Hey this is PCG342's bro..."
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Originally Posted by Pariah
Trump will win in a landslide both in the popular vote and the electoral college.


"Are you eating it...or is it eating you?"

[center][Linked Image from i13.photobucket.com] [/center]

[center][Linked Image from i13.photobucket.com][/center]
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[Linked Image from d1466nnw0ex81e.cloudfront.net]

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[Linked Image from cdn.creators.com]

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Superman as a symbol of traditionalism and American exceptionalism, must be pretty schizophrenic to possibly share the same brain as far-left liberal reporter Clark Kent. But I'm saying that envisioning Clark Kent as a reporter in the modern era, not that of the 1930's when he was created, or the 1940's, 1950's, 1960's, and 1970's. A reporter in the modern era is a completely different beast.

There's also the possibility that Clark Kent in the modern era could be a closeted conservative, keeping another secret identity among his liberal peers in the newsroom.

Or conversely, I haven't read a Superman title in close to 20 years, but liberal weenie writers have probably re-booted the character as a woke liberal, in which case he'd fit right in a modern newsroom, joining his fellow reporters in an internal New York Times e-mail chain bashing and calling for the resignation of any editor that might be so daring as to give equal time on an editorial page to someone like conservative-republican Senator Tom Cotton.

We really need a Superman to save us from that...

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Originally Posted by Grimm
Quote
Jeremy said:
Quote
Prometheus said:
[Linked Image from i4.photobucket.com]

Just...wow. <img src="/ubbthreads/images/graemlins/eek01.gif" alt="" />

this one ain't bad either.

[Linked Image from i158.photobucket.com]

More than just his Spidey sense is tingling!


"My friends have always been the best of me." -Doctor Who

"Well,whenever I'm confused,I just check my underwear. It holds most answers to life's questions." Abe Simpson

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Tingling below the waist !

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[Linked Image from i.pinimg.com]


https://www.erbzine.com/mag36/3610.html


Neal Adams did covers for the new printing of Edgar Rice Burroughs TARZAN books in the late 1970's. There were 24 books total in the series, 12 with covers by Neal Adams, and 12 with covers by Boris Vallejo. But then I count 17 covers by Adams in these images, possibly more in the series were later replaced by Adams covers in a later printing, or were unpublished.

I have some, not all of the books. It's nice to see the whole set of covers together finally.

I first saw them as the Sal Quartuccio (S Q Productions) NEAL ADAMS PORTFOLIO, set A (1-4), set B (5-8), and set C (9-12), in a larger 11" X 14" size and caption free.
The above image is from the portfolio cover for set A. I bought these roughly 40 years ago from Bud Plant.

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[Linked Image from mlpnk72yciwc.i.optimole.com]


A Spider-woman pin-up by Milo Manara that made me laugh.

More representative of Manara's work than the character portrayed.
Hey, what's not to like?

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A little more Frank Cho goodness, another Princess of Mars illustration.

[Linked Image from 64.media.tumblr.com]

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[Linked Image from i.pinimg.com]

A hilarious Dave Sim pin-up page from the inside cover of HOWARD THE DUCK magazine 8, Nov 1980.
https://readcomiconline.li/Comic/Howard-the-Duck-1979/Issue-8?id=30764

Out the same month as CEREBUS 22.
https://readcomiconline.li/Comic/Cerebus/Issue-22?id=59953#2

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[Linked Image from i.pinimg.com]


An Arthur Adams Creature From the Black Lagoon illustration. The Aztec-looking native girl (not in the movie) is an interesting addition.
Arthur Adams did a lengthy 40th anniversary movie adaptation for Dark Horse.
https://readcomiconline.li/Comic/Creature-From-The-Black-Lagoon/Full?id=168381

That was after in an ART ADAMS' CREATURE FEATURES collected trade, along with a Godzilla story by Adams and other work.
https://readcomiconline.li/Comic/Art-Adams-Creature-Features

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[Linked Image from d1466nnw0ex81e.cloudfront.net]

Another of my favorites by Adams, a variant cover of CAVEWOMAN:PANGAEAN SEA # 0, published in 2000.
https://readcomiconline.li/Comic/Cavewoman-Pangaean-Sea

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[Linked Image from deniskitchen.com]

A nice art print of Will Eisner's The Spirit, titled "River of Crime", released by Kitchen Sink in 2004.
Signed and numbered by Eisner, there were only 150 released. I'd gladly pay the 150.00 price, if it were still available. Or if it were available in an unsigned version.
It also has the distinction of being the last art print released by Eisner before he died. I met Eisner at multiple local conventions over a 30-year period. Eisner lived in Tamarac, FL, a little northwest of Fort Lauderdale.

Here's an oversize black and white version:
https://i.pinimg.com/originals/f1/4d/de/f14dde255a39a48bba46c698dd3326b3.jpg

I'd be thrilled to have it in either form.

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[Linked Image from i.pinimg.com]

A great limited edition print by Charles Vess, part of a 2-print set, titled "Purrfect Memories", published in 1988.. A really fun pairing of Spiderman with the Black Cat. I don't recall ever seeing it listed. You can see on the image that it was a signed/numbered limited edition, signed by both Charles Vess and Stan Lee, and limited to 2500 copies.

This may have coincided with Vess's SPIDERMAN: TIME SPIRITS hardcover graphic novel (Marvel graphic novel 63, in 1990).
There were several other Spiderman prints by Vess also.

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http://1.bp.blogspot.com/_LcYCjYs-R...ZoYYY/s1600/Art+Adams+Avengers+cover.jpg


Arthur Adams for me is one of the creators over the last 40 years who exemplifies the fun of comics, and a complete lack of pretentiousness in his work.

I've looked back on this poster-page of the Marvel heroes, with costumes that span several eras, as a pretty representative sample of his work.
Like the earlier pages posted here, this is (or at least was) one of the duplicate pages you can purchase inexpensively on his own website, if still available.

http://arthuradamsart.com/artwork-sale

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[Linked Image from i.pinimg.com]


Another of my favorites from Adams, his 1985 cover for the X-MEN: HEROES FOR HOPE benefit book.
I was lucky enough to get to keep the 11 X 17" promotional poster from my local comic shop owner when it came out. I don't know why he was willing to part with it, and give it to me for free, no less. But I'm so glad he did, I've enjoyed it for many years.

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[Linked Image from i.pinimg.com]

Some nice good girl art Supergirl appreciation, and appears to include a busty Power Girl in the lower left.
What's not to like? Artist uncredited.

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[Linked Image from i.pinimg.com]

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[Linked Image from i.pinimg.com]


[Linked Image from i.pinimg.com]

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[Linked Image from i.pinimg.com]


Milo Manara's work has obvious appeal to any male reader. If I were to nit-pick, my only complaint, as with most European artists, is that his work is a bit rough. As opposed to the decorative linestyle of , say, Wrightson or Adams or Steranko or Windsor-Smith.


[Linked Image from cdn2.humanoids.com]




I think my favorite of Manara's work is his GULLIVERA graphic novel.
That was reprinted in its 64 page entirety in the July 1997 issue of HEAVY METAL.

[Linked Image from milehighcomics.com]

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Originally Posted by Wonder Boy
[Linked Image from mlpnk72yciwc.i.optimole.com]


A Spider-woman pin-up by Milo Manara that made me laugh.

More representative of Manara's work than the character portrayed.
Hey, what's not to like?


https://vocal.media/geeks/a-message...ized-superheroines-aren-t-being-censored

Man... 80 years of "good girl art" in comics, and THIS is what upsets the woke crowd ?
It just seems like a very contrived and made-up controversy. The initial image I posted from Bleeding Cool is at least temporarily down, but you can still view a smaller version of it in the new link, with some context that it was drawn by Manara to oppose censorship. The initial Spider-woman variant cover (that got a small vocal group of "woke" nutcases upset) is ridiculously tame. And even the second "Cho !" one Manara gave to Frank Cho in person, to promote opposition to censorship, is still playfully suggestive and nothing to get upset about.


The Marvel-commissioned and published variant SPIDER-WOMAN cover in question, from 2014 :

[Linked Image from 1.bp.blogspot.com]


And Frank Cho, with the anti-censorship page handed to him by Milo Manara, during Cho's convention-room censorship discussion:

[Linked Image from giornalepop.it]

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[Linked Image from i.pinimg.com]

Some Frank Cho toy box art of, presumably, Ka-Zar, Shanna and Zabu.




[Linked Image from i.pinimg.com]

What looks be a Liberty Meadows cover concept sketch.


And another completed illustration :

[Linked Image from i.pinimg.com]

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[Linked Image from 2.bp.blogspot.com]


A nice cheeky pin-up by Arthur Adams.

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A DC house ad for SHOWCASE '93 I love, also by Arthur Adams.

[Linked Image from townsquare.media]

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[Linked Image from i5.walmartimages.com]

A color version of the Marvel heroes poster by Arthur Adams.
The same image I posted above in black and white a few posts ago.

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Earlier in the topic here, we discussed a heroes mural that was painted in the DC offices until 2014 (at which time DC moved its editorial offices to Los Angeles). And it was printed as a fold-out poster in the HISTORY OF THE DC UNIVERSE hardcover.
The link expired, so here is an updated link to view the same poster / mural :
https://vignette.wikia.nocookie.net...88.jpg/revision/latest?cb=20180109002144

And as a back-up, in super-size, where you can really zoom in and see the detail :
https://comics.ha.com/itm/memorabil...niverse-poster-dc-1987-/a/121149-14585.s

And the character key :
Quote
Pictured characters, from left to right, with the artist(s) following the character:

Top Row:
Tommy Tomorrow by Jim Mooney; Phantom Stranger by Jim Aparo; Swamp Thing by Steve Bissette & John Totleben; The Question by Denys Cowan; White Witch by P. Craig Russell; Green Lantern (Alan Scott) by Mart Nodell; Green Lantern (Guy Gardner) by Joe Staton; Enemy Ace by Dave Stevens; Plastic Man by Bill Sienkiewicz; Darkseid by Jack Kirby & Mike Royer; Ragman by Keith Giffen; The Ray by Bret Blevins & Al Williamson; The Spectre by Michael Kaluta; Silverblade by Gene Colan; Robotman by Steve Lightle; Lady Blackhawk by Brian Bolland; Black Condor by Michael T. Gilbert; and OMAC by Jim Starlin
Middle Row:
Hawkman by Joe Kubert; Martian Manhunter by Art Adams; Manhunter by Walt Simonson; Aquaman by Paul Norris; The Warlord by Mike Grell; Power Girl by Mary Wilshire; Sergeant Rock by Andy Kubert; Green Lantern (Hal Jordan) by Gil Kane; Captain Marvel by Kurt Schaffenberger; Batman by Bob Kane; Superman by Curt Swan; Wonder Woman by George Pérez; Blackhawk by Howard Chaykin; Arion by Jan Duursema; The Flash (Barry Allen) by Carmine Infantino; Zatara by Jim Steranko; Zatanna by Gray Morrow; Deadman by Neal Adams; Adam Strange by Murphy Anderson; and Rorschach by Dave Gibbons
Bottom Row:
Hourman by Gilbert Hernandez; Vigilante by Dan Spiegle; Tomahawk by Frank Thorne; Metamorpho by Ramona Fradon; The Demon by Matt Wagner; Amethyst, Princess of Gem World by Ernie Colon; Robin by Bob Kane; Wildcat by Irwin Hasen; Cain by Joe Orlando; Chop-Chop by Dave Stevens; Captain Atom by Pat Broderick; The Flash (Jay Garrick) by Jaime Hernandez; Mister Miracle by Steve Rude; Judomaster by Frank McLaughlin; and Sarge Steel by Dick Giordano

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[Linked Image from 3.bp.blogspot.com]


One of many great mystery covers for DC by Adams, this one for THE WITCHING HOUR 13, March 1971. The "lucky 13" issue.

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[Linked Image from 1.bp.blogspot.com]

Adams' opening intro page for VAMPIRELLA 44, August 1975.

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With boobs like that the dreams can't be that bad!


"My friends have always been the best of me." -Doctor Who

"Well,whenever I'm confused,I just check my underwear. It holds most answers to life's questions." Abe Simpson

I can tell by the position of the sun in the sky, that is time for us to go. Until next time, I am Lothar of the Hill People!
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Originally Posted by Lothar of The Hill People
With boobs like that the dreams can't be that bad!
.

[Linked Image from i.pinimg.com]

There were quite a few talented "good girl" artists on VAMPIRELLA in that era, including Gonzalo Mayo, Auraleon, Ramon Torrents, Estaban Maroto, Jose Gonzalez, and others. Most discovered and recruited from either Spain or the Phillipines.

VAMPIRELLA (1969-1982 series, Warren)
https://viewcomiconline.com/vampirella-1969-issue-44/

Despite many revivals in the 1990's and forward, none of them matched the consistent assembly of talent and decorative linework of the earlier Warren run.

And please, better no color, rather than AWFUL coloring, as is the norm in the Harris published issues.
There's an occasional wonderful surprise by the likes of Arthur Adams (in CREEPY 1993 FEARBOOK) in the Harris run. But few and far between.

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Originally Posted by Wonder Boy
An exceptional Byrne page:


[Linked Image from byrnerobotics.com]


A nice slice of the Marvel characters fighting Fin Fang Foom.

Much easier to see the detail in this much larger color version:
https://cafans.b-cdn.net/images/Category_3930/subcat_172603/lrannmAS_0710170854451gpadd.jpg

And here's the full original "Fin Fang Foom" story, by Kirby/Ayers, in STRANGE TALES 89, Oct 1961.
https://viewcomiconline.com/strange-tales-1951-issue-89/

And similar visuals by Walt Simonson/Sal Buscema, of Thor fighting Jormungand the world beast, in THOR 380, June 1987, an amazing all-splash-panel issue (Jormungand was disguised as Fin Fang Foom in the previous issue, before revealing himself) :
https://viewcomiconline.com/thor-v1-380/

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[Linked Image from 3.bp.blogspot.com]

Simonson's wrap-around cover for the MONSTER MASTERWORKS collected trade of pre-Marvel monster stories from the 1959-1963 period by Lee, Kirby, Ayers and Ditko, published in 1989. Included in it is the Fin Fang Foom story.

In the same period Simonson, with Arthur Adams, did a great tribute story using many of these same monsters, a 3-part story in FANTASTIC FOUR 347-349.
https://viewcomiconline.com/fantastic-four-v1-347/

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[Linked Image from milehighcomics.com]


A lesser known cover by Simonson, but still one of my favorites, for SECRET CITY SAGA # 0, in April 1993.
And even better, an interior 8-page origin story by Simonson.

Simonson is one of the few who did work on Kirby characters, where I felt Simonson's work, like so few other artists expanding on Kirby concepts, is as good or better than what Kirby would have done. This is a great little origin story, that covers 15,000 years of time in the span of 8 pages, telling the story of an advanced civilization that chooses to end their civilization, to make room for the emerging human race, amid what appears to be a foretold global electrical / wind storm/ earthquake that destroys their civilization. This is a recurring theme in Kirby's work, such as ETERNALS, where civilizations rise and fall and are completely erased and unknown to the next civilization that rises.

Whether MANHUNTER or THOR or X-MEN/TITANS, or ORION, Simonson has a tremendous dynamic energy to his work, that mirrors the power of Kirby's art. But Simonson has a style completely his own and is not an imitation of Kirby, unlike so many others.
The remaining issues of SECRET CITY SAGA 1-4 are by Ditko, would that they could have been done by Simonson as well. But it's also interesting to see how Ditko, Heck and Severin handled the same characters, in what was essentially a brief reunion and resurrection of the 1960's Marvel house style and creators.

SECRET CITY SAGA # 0, and 1-4 full issues at :
https://viewcomiconline.com/jack-kirbys-secret-city-saga-0/

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Originally Posted by Irwin Schwab, Feb 19 2009
[Linked Image from i.somethingawful.com]

[Linked Image from milehighcomics.com]

lol

A hilarious photo shop posted earlier in the topic, with the original SUPERMAN 247 cover it was pulled from.

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Originally Posted by Sonhaven
I guess I'm just a classicist at heart

[Linked Image from coverbrowser.com]

[Linked Image from milehighcomics.com]

The first, and arguably the best tribute cover of all time. Neal Adams (BATMAN 227, Dec 1970)
Improving on the already classic Bob Kane cover (DETECTIVE COMICS 31, Sept 1939).

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Originally Posted by Wonder Boy
A really cool Galactus commission page by someone named Giorgio Comolo.
It reminds me of artist Jose Ladronn from the 1990's/early 2000's.

An expired image, here's a new one of the same image:

[Linked Image from i.pinimg.com]

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[Linked Image from images-na.ssl-images-amazon.com]

A comics fanzine cover for FUTURE GOLD (Dec 1980/Jan 1981.
By fan artist Rudi Franke, who was much more visible in the 1970's and early 1980's period. His work was frequently seen alongside artists like Lela Dowling, Frank Cirocco, Ken Macklin, and other artists who originated from the San Francisco bay area. I'm less familiar with his work outside of comics, I suspect he also did fantasy art for illustrated books and SF/fantasy pulp magazines.

He did a lot of work for comics fanzines, and also had several advertised portfolios and prints.

I love the name FUTURE GOLD for a comics fanzine, implying the future value and appreciation of the books and art we all love.

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brutally Kamphausened
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Posts: 25,008
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One of Michael Golden's best pages, from THE X-MEN COMPANION, vol. 1 (1982). This was the cover, and also as seen here, the captionless back cover.

Here it is in black and white....

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And the final version in color....

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Joined: Sep 2001
Posts: 25,008
Likes: 31
brutally Kamphausened
15000+ posts
Offline
brutally Kamphausened
15000+ posts
Joined: Sep 2001
Posts: 25,008
Likes: 31
.

[Linked Image from 2.bp.blogspot.com]

Another Michael Golden rarity.
Dated 1980, this is an unpublished Defenders page. Maybe for a pin-up, or unused house ad for the title. I first saw it in black and white in Two Morrows' MODERN MASTERS: MICHAEL GOLDEN book, along with a number of other previously unpublished Golden pages.

[Linked Image from 4.bp.blogspot.com]

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